![]() ![]() ![]() ![]() In general, I think that a buffer of 512 should be comfortable enough to work with between 44.1 and 48 kHz if using multiple synths, mixing or mastering. So the higher your sampling rate, the more you will have to increase the buffer or your processing power (CPU and audio drivers). So the higher the sampling rate, the less time the buffer will have to process whilst at a fixed size (as the buffer is measured in samples). This way, you have much less delay/latency whilst you record and more processing power whilst you mix.Īnother point to note is that your buffer size interacts with your sampling rate. In general, lower buffers are used whilst recording live audio or MIDI and higher buffer settings are used whilst doing other tasks, such as mixing. This will tax the system more as the lower the buffer, the closer to realtime processing you get. Though I'll add some information based on what you told me, as you seem keen to learn. Considering the free updates for life, it is really cheap and you'll find it much easier to work with, without all the bugs that come with warez. We don't support the use of warez on this forum so I have to recommend that you purchase an official licence. "free" software online, there is a lot of truly free software of a good enough standard these days. Whilst many people starting out like to find er. ![]()
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